Bust of Ingres

Unlike the bust of Madeleine, the one of Ingres is more realistic. The creative dynamic can be found in the movements of the hair, much less neat and tidy than his wife’s hairstyle. There are loose strands and even a few spikes.

Ottin contributes to Ingres’ aura, giving him an expression reminiscent of classical antiquity. The artist does not depict the pupil, thereby giving Ingres a noble, peaceful appearance.

The features, which are strongly identifiable, almost resemble a death mask. Ottin allows the passing of time to show: marked bags under the eyes and drooping mouth.

Comparing the features with the numerous portraits and photographs of Ingres highlights the realism of this work.